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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="/article/part-palace-part-temple-part-prison-on-the-casa-malaparte/embed/" width="600" height="338" title="&#x201C;Part Palace, Part Temple, Part Prison: On the Casa Malaparte&#x201D; &#x2014; Los Angeles Review of Books" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><thumbnail_url>https://legacy.lareviewofbooks.org/wp-content/uploads/2013/07/1358297422.jpg</thumbnail_url><thumbnail_width>243</thumbnail_width><thumbnail_height>250</thumbnail_height><description>POISED OVER A ROCKY promontory jutting into the azure Mediterranean, few houses are as breathtakingly sited as the Casa Malaparte. For the location of his home, the Italian writer Curzio Malaparte chose what he called the wildest, loneliest, and most visually spectacular part of Capri, the part which directly faces the south and the east, [&hellip;]</description></oembed>

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